I flew into Strasbourg on Tuesday afternoon, found a train into the city centre then decided the easiest option was to hail a taxi to take me to my budget hotel. It was clean and convenient, in the Jewish quarter on Rue de Bitche. I tramped into the old city centre, admired the impressive cathedral and enjoyed a mini carafe of Muscat, watching the world go by from a side-street cafe. I had supper al fresco in the rain at a restaurant with red checked tablecloths and decided to have escargots - I can’t say that the snails were really a delicacy but dunking my bread into their residual herby, garlicky butter was most satisfying.
I intended to do some sightseeing the next morning, maybe visit the European Parliament but my feet were too sore so I was happy to sit around reading a book until Regina and Maria arrived to collect me and travel on to Ste Marie aux Mines by car.
This part of Alsace is beautiful and obviously a cross between German and French styles. It had been a mining area but now is mostly populated by elderly people - sadly many of the houses and businesses were up for sale. There were plenty of pots of red geraniums to brighten things up and it was nice to see so many traditional small shops selling bread and local produce.
Bernina Team GB and Germany took responsibility for setting up the Bernina Q24 longarm machine and the Q20 sit-down model while Team France organised the rest of the booth. After the set-up I travelled to stay with Bernina France on a gîte in Lièpvre. This was actually a large converted farmhouse with several additional cottages to let. We were surrounded by goats, deer, cats and a magnificent cart horse. It was certainly an immersive experience, surrounded by non-English speakers, apart from Christine Escanes www.creativetextilemastery.com whom is cleverly trilingual in English, French and Spanish. My school French was extremely rusty but I did pick some up and understood more as the week went on. It was fun to do some self-catering, the only downside being that we tended to eat late and stay up drinking wine even later;)
The show was busy despite the unseasonably cold, wet weather and we attempted to communicate with all sorts of nationalities - French, Belgian, Dutch, German, Hungarian, Polish, Spanish, Portuguese, Israeli, Korean - in German, English or my dodgy French. There was much mis-use of grammar and plenty of sign language. I mostly asked the visitors, “Vous aimerez à essayer la machine?” and I had a crib sheet for needle, up, down, stitches, free-hand etc. All would be fine until they launched into rapid French with further questions and I would have to hand over to a French speaker.
There was a terrific selection of traders, many of whom were in market place tents but I only bought small pieces of cork, pleather and natty bag fasteners for some unplanned project or other.
I did attempt to catch the shuttle bus one day to visit some outlying exhibitions but it did not appear during heavy rain so I gave up. However, I did visit Number 3 which had superb collections by Ian Berry, Luke Haynes, Miriam Pet-Jacobs and Nancy Crow’s Dairy Barn. I was particularly struck by Ian Berry’s incredible artwork www.ianberry.org - an amalgam of photo-realism and denim. In fact, he was staying at the same gîte so we invited him to dinner and had really interesting conversations about art, textiles and the angst of artists.
On the last night, after the frenzy of packing up, I went to stay in the same family run hotel as Regina and Maria in Tannenkirch, since they were running me back to the airport in the morning. It was at an altitude of 500m in countryside where I am sure there are probably still wolves. We had a lovely quiet last evening, enjoying local wine and Alsace specialities in a little restaurant in the village.
The Val d”Argent area was attractive, the people were friendly, the food and drink was fantastic, the exhibitions were high calibre, and there were quilt/textile superstars to spot, so I would definitely visit the show again, either as a quilt tourist or exhibitor!