Sunday, 7 May 2017

Relentless!



Monday was the deadline for entering a handful of quilt shows that I had known about for months but had still not got around to entering. As usual, I did not have all of the necessary information for every entry so had to faff around finding or retaking photos and look for the blurbs lurking somewhere on my computer. I have even entered the very unfinished BzB into The Open European Championships as they allow pictures of work in progress and when I get it done they can have an updated photo. None of this scrabbling around at the last minute was helped by our pitiful Wifi connection which was so bad that I even tried to upload files from my phone in the supermarket carpark where there was at least some of the slowest ever 3G.

Having committed BzB to an actual show, I realised that it was definitely time to load it onto the longarm frame. I was beyond irritated to discover that I had not saved a whole pack of wool wadding and that the black wadding was not wide enough. Yet again, I questioned why I had made BzB so big. I phoned around several well known UK quilt shops but none were able to guarantee next day delivery or even had what I wanted in stock. There was only one solution which was to join all of the leftover bits of wadding together. The huge pieces that I reconstructed were then generously spritzed with water and laid out to relax because the wool that come in packs is always impossibly creased. 




I have to admit that BzB is making me very nervous. It has been a long time stewing and has to be sewn upside down for me to be able to see the quilt markings. The back is pieced and I have to get perfect tension on both sides since I intend for it to be a double-sided quilt. I tried out different threads, including a wool blend which looked great on the top but was not so nice on the back because the colour was not right. I was faced with the choice of ordering some more thread, sight-unseen online or making do with something else. In the end I decided that since BzB is a bit anti-establishment then I will use a 30wt neon pink cotton because I have it on a huge spool. It is my plan to get most of the outline quilting done next week but we all know my plans are very subject to change. 

Fergus has time off school for exam revision but he has a not-uncommon approach to that which involves worrying that he has not done enough work before proceeding not to do any actual work. He wastes as much time as I do doing avoidance jobs like tidying computer cables but he has not got enough self-discipline to avoid spending hours watching irrelevant videos on Youtube. I jollied him along and tested him on Music theory and I even bough a DVD of “Romeo and Juliet” with nude scenes but he does not yet seem any more enthusiastic about Shakespeare.

I happened to catch a re-run of the “River Cottage” cookery programme the other night and was reminded how I have always wanted to make a gorse version of elderflower champagne. The bright yellow gorse this May is incredibly abundant so it did not take me long to pick a bucketful of flowers without getting too scratched in the process. The last time I attempted to make a lightly alcoholic, foraged fizz I added too much yeast with explosive results. This time I am attempting to stick to a recipe and after 48 hours it is beginning to smell like fermentation is happening.



After all of that activity, I told myself I could have a relaxing weekend except for making a simple dress. The pattern from The Maker’s Atelier looked straightforward enough not to bother making a tester “toile” so I took my measurements and made the size that looked like it matched up the best. The result was that I made a great dress that was several sizes too big. At least it was not too small, like the oilcloth top that I could get on but struggled to get off. I might try to make it again one day in a smaller size but maybe I will take the trouble to make a rough version to check the size first. Not put off by this experience, and because I had some “spare” time, I decided to run up an apron-dress in the skeleton toile-de-jouy that I bought for the job at FOQ last year. It was actually very easy after I sussed how to make the pockets but I seem to have made another bigger than necessary item of what I would not call clothing. I have seen several textile artists swanning around in such garments, rocking the look but I think mine looks more like a 1940’s utility overall. If I had made it in denim it might have been sensible but at least I now know that I can make another one should I feel inclined. 





Not content with making two “frocks”, I forged ahead with a huge customer quilt so I would have no distractions about tackling BzB, apart from my relentless To-Do list and motivating a teenage boy to get stuck into some exam revision…


Monday, 1 May 2017

Just another typical Quilt Quine week!


Phew, no wonder I didn’t manage to write a Sunday night blogpost after another hectic week, ending with a fun trip to the Knitting & Stitching Show in Edinburgh. Although I feel that my tyrannical To Do list never lessens, I managed to supervise 2 DIY quilts and complete a simple customer quilt, publish a schedule of Quilt Quine classes onto my Facebook business page, and make daily hashtag-pointless newsflashes starting the week doing a weather post in the snow.

I was asked if I plan to offer online quilting classes which is something I need to investigate but in the meantime I need to promote my Ebook, “Deviant Quilting” which has lots of video clips.

I caused chaos in our cluttered Music room by playing furniture Tetris, which moving a full sized rock drum kit and shifting the sizeable electric piano upstairs, negotiating a tight dog-leg staircase. 



I allowed myself some fun by stitching intensely onto the Dijanne Cevaal linocut print, reminding myself that it was an exercise, rather than a show-off piece. I would like to do more “longarm drawing” pieces but I need to remember that even though I think I will just do a little bit of stitching for a few minutes, I can easily still be there after 2 hours!

I received a super box full of Haribos from Maria in Germany as a swap for a piece of gold pleather that she made into a super tote bag. I have had to hide them in a safe place so I can’t scoff them all at once.



After forcing myself to update my paperwork, I set off to meet Ellen and Kay with a side trip to IKEA. I should have considered that Saturday has to be one of the worst days to do this as the store was full of screaming kids who did not want to be there and other kids running around with mini trolleys. No wonder I was traumatised and left my phone in the ladies’ loo. I was extremely fortunate that I realised it was missing before I drove away and that a very kind citizen had handed it in. 

Kay, Ellen and I enjoyed a catch-up over curry and alcohol then visited the K&S show on Sunday. I am pleased to say that it was busy, bigger than last year and that there were plenty of vendors. I was not impressed to pay £5 for parking in a field then being harangued at the door for opting out of a show guide for an additional £4! The K&S show does not have any competition entries and the exhibits were varied but I really think that there should be more of them than vendors to make the ticket price worthwhile. I bought a selection of heavier threads to experiment with on the Bernina Q24 and also yet another shift-dress pattern and fabric that will make me feel guilty unless I ditch all of my other projects and tackle it. 








I was expecting to have 3 custom quilts to do in May but the makers have not quite finished them so I have no choice other than to load the rather large “BzB” (or whatever new name I decide) and make an attempt to get it done in time for FOQ. If I enter it into the show this week then I will just have to get it done;)




Sunday, 23 April 2017

Video Bites with The Quilt Quine


I made it my mission this week to figure out how to use the GoPro camera and to be able to make short video clips on my phone, building up to longer quilting demos in the future. I ended up making a daily Brigton Farm newsflash just so I could practise doing some off-the-cuff pieces to camera. One of my children has told me to stop spamming Instagram with my clips and another says I should spend some time editing my videos and adding music. I think it is actually quite an achievement just to figure out how to start and stop the camera - faffing around doing editing can come later;)





I don’t know whether the newsflash spot was a spur for activity but I seemed to get quite a lot done this week. As well as supervising a DIY quilter and completing a customer quilt, I finished the other Tifafai thistle piece that I started in Germany. I worked out a really good combination of metallic threads and stitch size on my overlocker to finish off the edges without adding a binding. While my DIY customer was engrossed with her quilting I reorganised my 2 IKEA trolleys so that each longarm machine could have a essentials kit ready to be wheeled up close. I was thrilled to discover how well the magnetic pin bowls stuck to the side of the trolleys.




My Postie delivered an assortment of parcels ranging from Kilner jars to be used for yogurt making to a budget version of a German folding shopping basket. I had intended to decorate it with something like free-motion stitched broderie-perse but it would have been tricky to avoid the pockets for the struts and the zipped side pocket. In the time that I could probably have done all that I decided to make quite a lot of pompoms to dangle from it instead.

I am coming up close to the deadlines for entering quilt shows so I dug out the long abandoned BzB anti-wholecloth project. I stared at it for a long time, jotting down a few notes on how it might be tackled. Its biggest problem seemed to be the vast amount of negative space which is traditionally filled with ½” diagonal lines. I hummed and hawed for ages, made some extra templates and decided to fill up that space since a) I am not making a modern quilt and b) I am not making a traditional quilt and c) because I felt like it!



Amazingly, my 15 year old, battered Landrover passed its MOT test, apart from needing a new tyre, which means I can once again look forward to trundling off to Quilt Shows, delivering kids to Guide Camps, Duke of Edinburgh Expeditions, Music Festivals, and eating Fish and Chips in the car:)



I am really enjoying working on a lino-print “Traveller’s Blanket” panel from Dijanne Cevaal using 30wt thread. It is challenging working on such a small scale with a large longarm machine - it is really embroidery rather than quilting. I am more fired up working on this small project than anything else I have done in a while and I will be looking for more heavy weight threads. Dijanne and I are hatching a plan to work collaboratively on “something” and I am very excited to see what we might come up with… 





Friday, 21 April 2017

Quilt Travels



These days I am a seasoned, independent Quilt Traveller with friends all over the world and a desire to experience quilting across the globe. However, when I started out as a quilter 10 years ago I wanted to travel to a major American quilt show but did not feel confident enough to make all of the arrangements myself. I joined a tour party where the travel, accommodation and most of the activities had already been taken care of. The group included people of all ages and experiences yet from the beginning of the trip, it was clear that I was in good company with like minded people. We had the security of knowing that the organisers had done the trip before and knew the area well. I made great friends on that trip with whom I have since had many other adventures. 

Many of my trips have been to the USA, where quilting is a major industry but political and economic issues have made me wonder why I am not exploring quilt shows here in Europe. There is a multi-venue quilt show in France that I have actually been meaning to attend for ages but for some reason have not done yet, maybe because I might have to hire a car or practise my rusty French. I have heard that the various exhibitions in Alsace villages are terrific so I must go and find out for myself. 

I was recently contacted by ECT, a niche travel company based in Bath, with information about a tour that they have organised to Alsace and I must say, I am very tempted to let someone else take care of the logistics. 



“Working together with the Quilter’s Guild, ECT Travel have put together a fantastic 3 night package that gives textile enthusiasts the chance to explore the art trail at their own pace, whilst all the hassle of arranging their transport and accommodation has been taken care of.



Staying in the town of Colmar, where on Friday and Saturday evenings the buildings are illuminated by an award winning light show, guests will have free time to explore after being transferred back to their hotel from the event by executive coach.



Nestled deep in the enchanting French countryside, the region of Alsace is situated close to the border of Germany and Switzerland. It is here in mid-September, for 4 days only, that you will find 36 unique and quirky exhibition sites dotted amongst the villages of Sainte-Marie-aux-Mines, Sainte-Croix-aux-Mines, Liepvre and Rombach-Le-Franc.



As the cradle of the Amish movement, Alsace has been a hub for quilting and textile artists for over 300 years. In 1993 the European Patchwork Meeting was devised to celebrate the talents of traditional and modern patchworkers and quilters. With a huge range of activities such as workshops, conferences, specialist stalls and exhibitions, it is no surprise that over 22,000 international visitors flock to the event every year.”


For more information on this tour or to book, please visit ECT’s website 



Or contact Sofia Carosi by email on sofia@ecttravel.com

Sunday, 16 April 2017

More Stitching in Germany


After our lazy day of sight-seeing and soaking up the sun, Dijanne Cevaal launched the students into intensive stitching projects. It was an absolute treat to quilt for fun all day long. I was slightly freaked out when she suggested that we draw a central vignette or motif so I cheated and found a woodcut drawing of a fish on Google that I developed. Dianne prefers to work with 30 weight cotton thread. I was impressed how the Bernina Q24s ran it without complaining and how the stitching really stood out. I decided to stick with the same blue thread for the whole piece so it was monochromatic. Dijanne declared that what we were doing was “Drawing with Longarms”. 



It was very interesting to discuss methods of networking with an established travelling quilt tutor. I was encouraged to try using the social media platform, Instagram regularly, learning about hashtags and tagging people who might be interested. I now have followers who are into wood-carving and making sexy bread.



I started a threadwork piece using one of Dijanne’s lino-cut prints. It is not quite as easy to work that small using a longarm but I am having a good go at it. The thick thread looks amazing and I can add hand-stitching or beads later. The main challenge of the second day was to design and stitch a Tahitian style Tifaifai appliqué. I sketched out part of a spiky thistle using paper folded into a triangle. This was traced onto Bondaweb, ironed onto fabric then cut out with tiny scissors. The tricky thing was to free-motion quilt around the raw edge appliqué several times, building up a solid edge. One of the students had greater success using a longarm appliqué guide but I discovered that I could use manual mode fairly smoothly. I don’t think this is a technique that I would have chosen to do myself but I am really glad of the opportunity to try it as I really enjoyed the project. I was determined to complete the black background quilting all in the same day. I have the negative thistle still to complete which it will take most of a day to do. 



I had a terrific time teaching and learning in Coburg. Regina and Dijanne were great to work with and I was very well looked after. I was actually rather sad to pack up to go home, even though I had extra goodies including thread, sweeties and projects to fit in. I am hoping to go back and teach workshops for Regina in the future and I intend to meet up with Dijanne again as we got along very well:) When I got back I went off to the supermarket to buy items for my version of a German picnic tea!



I went home with a German cold so I did not feel like sorting my stuff out until the weekend. Feeling guilty about my apathy, I made myself do boring admin first so I can do some more on my unfinished German projects later in the week. I did not exactly laze around - I managed to get a small customer quilt done, delivered Easter eggs to Freya in St Andrews on Good Friday and rustled up some basic cable-tidies that look nicer than strips of black velcro. 





The Easter holidays end on Tuesday so Fergus needs to get into serious revision mode and tackle the maths questions that I downloaded - luckily for me I also downloaded the answers! I have quilt competition entry deadlines looming and I need to work out whether is feasible to make something new in time for FOQ… If only I could get up at 4am and not waste time on the internet:P




Sunday, 9 April 2017

Longarm Quilting in Coburg


Thanks to Regina's detailed instructions, my journey from Frankfurt airport to Wurzburg by train was very smooth. We had a quick look around Coburg and ate a delicious traditional bratwurst with mustard. Her studio is super! I had three Q24 long arms and a sit down Q20 for my pupils. Regina's lovely daughter, Laura did a marvellous job of the catering and taking official photos for her website. 


The ladies were enthusiastic and determined to quilt all day to try and finish their projects. Like a typical primary school teacher, I planned more work just in case somebody was a fast finisher so they could pick up any of the three projects over two days. They concentrated on quilting the fake leather which would made into a large tote bag. I did not tell my pupils that I had chosen fake leather deliberately so they would not be tempted to unpick any stitching they did not like. The idea was to experiment with rulers and free-flowing quilt designs. Two days of concentrated quilting  is such a luxury for students as nothing beats uninterrupted practising!


Despite my attempts to learn a little German, my limited vocabulary was of no practical use. Regina did a great job of translating and there was a lot of bizarre sign language. I normally chatter all day in English so it was unusual for me not to have so much to say. Luckily, they seemed to get it and were keen to try as many motifs as they could. We enjoyed an evening meal at a Gasthaus with locally brewed beer and Bavarian potato dumplings, served by waitresses in traditional dirndl dresses.


The other textile tutor, Dijanne Cheval, from Australia, drove up from the south of France to join us on Saturday evening. Regina had kindly arranged for us to have a day of sightseeing on Sunday so we visited an impressive schloss, Veste Coburg which commands a impregnable elevation on Festungsberg hill. The views overlooking Coburg were spectacular on a glorious spring day with clear blue skies. There was an extensive collection by Renaissance artist, Lucas Cranach, and displays about Martin Luther as 2017 is the 500th anniversary of The Reformation. I was fascinated by the intricate wood carvings and inlaid panelling. I am sure I could get plenty of ideas for quilts from that;)


We enjoyed an alfresco lunch people-watching at Golden Kreuz in Coburg then a wonderfully lazy afternoon on the verandah at Regina's house soaking up the sun.

Sunday, 2 April 2017

Eine Kleine Quilten



I have come to the conclusion that it would be simpler to write down all of the tasks that I do not have a hope of finishing, see how the week pans out then fill in my diary retrospectively. I was beginning to panic that I would not get my class samples ready in time for my German trip next week - then I started to worry that the projects were too big and the students would not finish them either. Of course, they do not need to be as intensively stitched as I did them!




The pink pleather piece did not “need” additional embroidery around each circle and the Spotty Sampler Quilt did not “need” more stitching or couching either;) It was actually quite hard to come up with 16 completely different ways of quilting a circle. It was not until afterwards that I remembered I had a file full of photos of examples of stitched circles that I did for the Bernina Q-Matic system. 






I was relieved when both projects were completed. I have had months to prepare for these classes but School Stuff and Life just kept getting in the way. I have now written instructions for both of those projects in case there is some finishing off that students need to do after the classes. I actually wrote 888 words on how to make a simple tote bag with an internal zipped pocket because I take the view that every step should be crystal clear, making no assumptions that the maker already knows what he or she is doing. I can even let the maker know that they can fit at least 8 bottles of gin into it!





Fenella is off to Guide Camp this week and obviously, I could not manage to send her off with 2 cheap supermarket tea-towels… I had to dig around in my stash and make 2 fancy new ones from vintage linen with hanging loops and name tapes! No wonder I have not found time to practise my German conversation on the Duolingo app. I must do some cramming before I go because I cannot imagine I will have to ask for much “brot und wasser" from “der junge" - however, I expect I will use “Entschuldigen, mein Deutsch ist schrecklich!” (Sorry, my German is dreadful!)