I feel quite uncomfortable about “showing off”. Kay and I have had many discussions and laughs about how our generation was not encouraged to blow our own trumpet. We send each other messages when a new quilter on the scene lands an incredible deal designing fabric or has a thread range named after them wondering how they got noticed. We reckon it is because they are good at self promotion. I argued with myself then finally plucked up the courage to send out messages to some Big Cheeses in the Quilt World to ask if they would do a short video introduction for my Ebook. Most of them ignored me but I was delighted that a generous handful agreed to endorse my book, even though they have not even received a review copy yet. I hope to have a few “Stunt Reviewers” who will introduce the book in their own unique ways, in different languages and accents using their phone cameras. I might even have another go at introducing it myself without fluffing up my lines. I asked Fergus whether it would be possible to lip-synch or subtitle Bluecat. I am keen to make sure that a bit of quirky self-promotion may actually sell this book which took so long to produce and that it does not need to be immediately discounted as a flop!
After checking that my ETSY shop was still open, despite all of the listings having elapsed, I managed to upload Tartan Tattoo as a PDF pattern for $10.00 - sales in the first 24 hours have not exactly been brisk;) www.etsy.com/shop/TheQuiltQuine
Maybe there will be a rush after TT has been exhibited at the Open European Quilt Show in Maastricht! A very nice acceptance letter from Ada Honders arrived this week so I will soon have to think about re-blocking it before packing it up to travel to Holland.
I used the Bernina Q24 to freehand some snail-spirals onto my nephew’s quilt and the Milliennium was used to quilt a honeycomb pattern all over Eleanor’s reversible quilt. Because she had added over-sized plain borders onto one of the quilts, it was easier than usual to make sure that the 2 quilts were properly centred. She asked me to complete the binding and I was really pleased with how it turned out.
I completed another Merchant & Mills trapeze dress using the cardboard pattern. I added two simple pockets onto the front but I was annoyed that I while I was busy listening to The Archers on Radio 4, I forgot to pattern match the multi-coloured zebras and then discovered that the fabric did not fare well with unpicking so I just had to leave them alone.
Since I seemed to be ahead of myself and I was not ready to launch straight into one of my Big Projects, I experimented with couching threads on the Q24. Some of the yarn went through the couching foot and was attached successfully while other yarn did not get caught so easily. I spent most of an afternoon swapping threads and yarns so I know what to look for when I visit a specialist yarn shop. I also had a go with a twin needle which looked great on the top of the quilt but a bit messy on the back. I was curious to see how the Q24 would manage with quilting through some old leather that I have been “saving”. It stitched very nicely indeed and it looks like it will not be necessary to soften it first. Some other pieces of the vintage leather are quite brittle and dry so I soaked a sample in baby oil and hung it outside to dry. Several days later it was still slimey so I think a different moisturiser might be necessary.
I am pleased that I have got on top of my customer quilts so I can enjoy a 2-day course with Australian quilt teacher, Gloria Loughman this week. This time I intend to “stick to her script” and not go off and make a far larger piece involving fabrics that shred or melt…